New York and Miami

Before you buy, sell or insure a work of art, know what it is.

I’m Alina Katrenko, an international art specialist with academic training in Kyiv and coursework at Sotheby’s Institute of Art. Based in New York and Miami, I research, value and document artworks for private collectors and families, in English, Ukrainian and Russian.

An appraisal starts on the back of the canvas: labels, stamps and inscriptions tell the work’s history.

Why people get in touch

You’re about to buy

A second opinion on price, condition and provenance before you bid or sign.

You’re thinking of selling

A realistic value and the right place to sell: auction, gallery or private sale.

You’ve inherited a collection

A clear list of what’s there and what matters, before anyone decides anything.

Your insurance doesn’t cover it

An inventory with photos and documents so your broker can schedule the works.

You’re moving between Europe and the US

Documentation that travels with the works and answers customs and shipper questions.

A family needs to divide works

A neutral starting point, with a formal appraisal through a partner when the law requires one.

Services and fees

Every fee is fixed in writing before work starts and never depends on the value I find.

  • First review

    Send photos of the front, back and signature. Within 48 hours I tell you what I see and what the sensible next step is.

    Free
  • Consultation

    An hour in person or by video. You get a written summary afterwards.

    $250
  • Market value opinion

    Written report: identification, condition notes, comparable sales and a value range for your own decisions.

    from $450 per work
  • Pre-purchase check

    Is the price fair, are there gaps in provenance, what to ask the seller before you commit.

    from $750
  • Provenance research

    Archives, catalogues raisonnés, stolen-art registers, artist foundations and labs where needed.

    from $1,200
  • Collection inventory

    Photos, measurements, condition, documents and a clean database. The base for insurance.

    $650 half day, $1,200 day
  • Buying and selling advisory

    Finding works, bidding at auction for you, negotiating, choosing where to consign.

    fixed fee or retainer
  • Formal appraisal

    For insurance, estate, donation or court. Prepared and signed by a credentialed partner appraiser (AAA, ISA or ASA), with my research.

    quoted per project
  • Private art tours

    Galleries and museums in New York and Miami, and Art Basel Miami Beach week. In your language.

    $350 for 2–3 hours

European art in American collections

Much of the European art in the US arrived with families from Germany, France, Austria, Poland, Ukraine and elsewhere. Its history is written in the languages of the Old World: archives, exhibition catalogues, and the records of European auction houses such as Dorotheum, Lempertz, Drouot and Bukowskis.

I connect those sources with the American market and show where a work’s story holds and where it has gaps. I pay particular attention to provenance for 1933–1945: without it, a work is hard to sell or insure today.

Areas I work with

  • 19th-century European painting
  • School of Paris
  • Central and Eastern European modernism
  • Old Masters: circle, workshop, copies
  • Prints and drawings
  • Icons

How it works

  1. Send photos

    Front, back, signature and any labels or papers. Use the form below or WhatsApp.

  2. Get a first answer in 48 hours

    What it likely is, which service fits and what it will cost.

  3. Agree the scope

    A short agreement with a fixed fee and a date.

  4. Receive the report

    A written report in English, Ukrainian or Russian, and a call to go through it.

About Alina

Alina Katrenko

I was born in Kyiv and studied at the National Academy of Fine Arts and Architecture (2014–2018). In New York I completed Sotheby’s Institute of Art courses in Art Business and Art Appraisal (2026).

Before art, I spent years in documentation-heavy case work. That turns out to be most of what appraisal is: careful records, sources checked twice and a report a client can rely on.

  • Art AppraisalSotheby’s Institute of Art, June 2026, credential 187722327
  • Introduction to Art BusinessSotheby’s Institute of Art, April 2026, credential 182711787
  • Bachelor’s degreeNational Academy of Fine Arts and Architecture, Kyiv, 2018
Check credentials on LinkedIn

How I work

Independent

I don’t value a work I’m being paid to sell.

Confidential

Your collection stays private. NDA on request.

Fixed fees

Agreed in writing before work starts, never a percentage of value.

Honest limits

When a question needs a lab, an artist foundation or a credentialed appraiser, I say so and bring them in.

Questions

Is a market value opinion an official appraisal?

No. It’s a researched written opinion for your own decisions. The IRS, courts and insurers usually need a USPAP appraisal signed by a qualified appraiser. I arrange that with a partner and do the research.

Do you authenticate works?

I don’t issue certificates of authenticity. I research provenance and point you to the recognized authority for the artist.

Can you work remotely?

Yes. Most first reviews happen from photos and video. In person I work in New York and Miami.

Do you work with European auction houses and archives?

Yes. I research European archives and auction and gallery records, and when a question needs a local expert, an artist foundation or a lab in Europe, I bring them in.

Which languages do you work in?

English, Ukrainian and Russian, for conversations and reports.

How quickly will I hear back?

Within 48 hours on weekdays.

Request a review

Tell me about the work. The first review is free and there’s no obligation.

Standards and method

Nobody licenses art appraisers in the United States. So judge the standards, and whether someone tells you where their competence ends.

Practice

Standards, and the limits of what I sign

The rules my written work follows, my own commitments, and the line between what I do and what a credentialed appraiser does.

  • The five USPAP rules, in plain words
  • What a market value opinion is, and is not
  • Where my work ends — and who takes over
  • My qualifications, stated exactly
Read the standards →

Method

Three checks before the money moves

The checklist I run on a pre-purchase review, published in full so you can run it yourself.

  • The work, the counterparty, the transaction
  • Ten red flags worth slowing down for
  • 1933–1945, and why it decides resale
  • What to ask the seller for
Read the checklist →
Photos: front, back, signature (up to 5)
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